By RJ Walters, Editor
Jazz has been called the purest form of democracy in America.
For Metropolitan United Methodist Church in the heart of Detroit it is has been the purest form of creativity weaving together with community the past two-and-a-half years.
There are gatherings at the old Woodward Ave. church every Tuesday evening, but the closest thing to a sermon is Rev. Tonya Arneson’s “Watchword of the Week,” which lasts a grand total of about eight minutes. The other 60-70 minutes are focused on a few snacks shared among friends while taking in some free jazz music from some of the most talented artists in the city.
Started in 2008, 5 O’Clock Rush has grown from somewhat of a curiosity attended by only church members to a weekly gathering that attracts 70-90 people from all over Detroit.
Arneson and Metropolitan Music Minister Andrew Galuska kicked around the idea of starting a free concert series, but they wanted it to be more than just music, something closer to an invitation to engage in relationships that might eventually lead to conversations about faith.
Galuska scoured local jazz clubs and bars, eventually striking it rich. He found a blues performer who was excited about the concept and had a great network of friendships with local artists and the church hired her to be the 5 O’Clock Rush booking agent.
Through a partnership with a local radio station, fliers and word-of-mouth, the gatherings have started to speak for themselves.
Arneson said they are intentional about utilizing performers from different cultural and ethnic backgrounds, and people are up dancing, clapping, and singing for the 30-35 minutes the performer is on stage each week.
“The artists themselves started talking about it,” Arnerson said. “Young artists in particular began to request the opportunity to do an opening act, figuring that during the half an hour of community time when people are just sitting there, it’s an opportunity to get discovered.”
It helps the churches’ cause that Metropolitan has its own auditorium and a fund that is specifically reserved for local missions. But it has taken plenty of thought and improvising along the way.
“The 5 O’Clock Rush was intended to build upon the idea of the rush hour and we could be kind of a respite for commuters to step out of the traffic for an hour, and then get back into it when things calmed back down around 6 o’clock,” Arneson said. “So it was designed for an hour long so people could be on their way home.”
Jazz has been called the purest form of democracy in America.
For Metropolitan United Methodist Church in the heart of Detroit it is has been the purest form of creativity weaving together with community the past two-and-a-half years.
There are gatherings at the old Woodward Ave. church every Tuesday evening, but the closest thing to a sermon is Rev. Tonya Arneson’s “Watchword of the Week,” which lasts a grand total of about eight minutes. The other 60-70 minutes are focused on a few snacks shared among friends while taking in some free jazz music from some of the most talented artists in the city.
Started in 2008, 5 O’Clock Rush has grown from somewhat of a curiosity attended by only church members to a weekly gathering that attracts 70-90 people from all over Detroit.
Arneson and Metropolitan Music Minister Andrew Galuska kicked around the idea of starting a free concert series, but they wanted it to be more than just music, something closer to an invitation to engage in relationships that might eventually lead to conversations about faith.
Galuska scoured local jazz clubs and bars, eventually striking it rich. He found a blues performer who was excited about the concept and had a great network of friendships with local artists and the church hired her to be the 5 O’Clock Rush booking agent.
Through a partnership with a local radio station, fliers and word-of-mouth, the gatherings have started to speak for themselves.
Arneson said they are intentional about utilizing performers from different cultural and ethnic backgrounds, and people are up dancing, clapping, and singing for the 30-35 minutes the performer is on stage each week.
“The artists themselves started talking about it,” Arnerson said. “Young artists in particular began to request the opportunity to do an opening act, figuring that during the half an hour of community time when people are just sitting there, it’s an opportunity to get discovered.”
It helps the churches’ cause that Metropolitan has its own auditorium and a fund that is specifically reserved for local missions. But it has taken plenty of thought and improvising along the way.
“The 5 O’Clock Rush was intended to build upon the idea of the rush hour and we could be kind of a respite for commuters to step out of the traffic for an hour, and then get back into it when things calmed back down around 6 o’clock,” Arneson said. “So it was designed for an hour long so people could be on their way home.”






